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Link
http://chatroulette.com/ is a website that connects you (webcam and audio) to another random chatroulette user in the world. You can click “next” at any time to connect to another random user.
Its full of all sorts of people (ok, mostly guys, but not entirely), and yes, a lot of people doing very, uh, rated R (or worse) things. You can *always* click “next” or “report”.
So what’s this event? Lets get a bunch of musicians to “take over” Chatroulette for a day. Share your music with random people - and get instant feedback! If they don’t like your tunes, they’ll click “next” (and be prepared to click next yourself). But you’ll be amazed how many people will appreciate your performance!
All you have to do is set up a webcam and a good way of capturing the audio on your computer. Then show up on http://chatroulette.com/ and play tunes until you get bored or grossed out. Or both. This is an *experiment*. It’s completely anonymous, so why not try it out!?!?
Who knows, maybe you’ll even find other musicians and make new musical friends!
***Please feel free to add to the invite list. We would like to make this a national/worldwide event, so the more, the merrier!***
PLEASE USE THE HASHTAG #MusicTakeOver on your various social media (twitter, youtube, flicker, etc)
Video
A great 20 minute introduction and discussion about the “Amen break” a 6-second drum break from a 1969 recording that became the basis for much Hip-hop and electronic music. Ends up with a rumination on the effect of overprotection of copyright and how it inhibits music today.
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SF Music Tech was a great event, but the session that seemed to excite me the most was the “1 minute pitches”. Most of them were for web sites/services for musicians (of course). Here’s a list of the ones I wrote down that I found interesting:
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This Monday, Dec 7 in San Francisco:
The SF MusicTech Summit brings together visionaries in the music/technology space, along with the best and brightest developers, entrepreneurs, investors, service providers, journalists, musicians and organizations who work with them at the convergence of culture and commerce. We meet to discuss the evolving music/business/technology ecosystem in a proactive, conducive to dealmaking environment.
I’ll be there, find me if you are attending!
Video
Patrick Daly, a regular at Angelica’s Bistro Open Mic does a cover of the new John Mayer song “Who Says”. Starts at about 1 min into the video. Close your eyes. Tell me who what you hear…
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Come on out and join us at a Social Media Club event where we’ll have musicians and music fans share how they’ve used social media to connect with each other (and not just via a label).
Look forward to seeing you there!
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From Ian Rogers:
I am going to try to blog the experience in hopes it might be interesting/useful for others.
Being the CEO ofTopspin and *not* having experience managing a band is like running Flickr and not taking photos.
All in all, a tantalizing taste of a “behind the scenes” description of how to launch and promote a band without the backing of a label. Mention of a lot of the tools and services out there, and why some were chosen and not others. Very interesting reading!
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Gonna have to try this out and keep an eye on it. I’ve been waiting for just this sort of platform for the “1000 true fans” model…
DigABand,which just launched in private beta, is hoping to help independent artists manage their online presence easily and through and single platform.
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In the “no duh!” file…
This Ars Technica coverage of a new Forrester report states what seems to me to be stupendously obvious:
“The music industry needs a “radical overhaul” to its products if it wants to revive sales, and that overhaul revolves around actually catering to consumer needs. That’s the argument in a new report from market research firm Forrester, which says that the music business needs to give up being obsessed with itself in favor of letting users create their own music experiences with ease. “
And here’s the clincher:
Needless to say, doing all of this involves the true death of DRM as we know it—or, as Forrester says, a makeover of DRM. Instead of keeping users from doing things like mixing and sharing, it should “primarily be an enabler of the consumer experiences, creative processes, and sharing.”
Link
A great interview of Zoe Keating where Zoe discusses (among other things) why she didn’t want to sign to a record label:
“I’m not trashing record labels. They perform a useful service for many artists. But I don’t think the model works for me. I think of recording contracts as very, very expensive bank loans. In the future, if I need extra money to make an album, I’m more likely to try and raise it by appealing to my fans.”
She also talks in some depth about how she makes a living being a completely self-funded artist. A very interesting test case for the future of label-less artists…
[Thanks again to Adina Levin for the link]
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